That Drifting Excrement Was Way Too Symbolic! It's the TV Letdowns of the Year.

As we consider the TV landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular shortcomings. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with dreadful writing, painful character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to justify its existence. Briefly, as the third season began, it looked like it had finally hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last series. It concluded on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The recipient of a exceedingly uncommon zero star review, it was hard to know where to begin enumerating the problems. The laughably leaden writing? The mind-numbing veneration of affluence and materialism? The seemingly deliberate parade of tropes? Performances so poor they felt borderline malicious? Suffice it to say “each and every one” and forget about this series again. Except, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part documentary which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Shady figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as intentional provocations. But then you watch them and are forced to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Instead, the experience was akin to reading a sales brochure. She obviously has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you follow a show that captured a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart recruitment of gifted emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? No! This international thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for explicit exploits as she prepared for her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Anthony Lewis
Anthony Lewis

A seasoned web developer and digital strategist with over a decade of experience in creating user-centric online solutions.